Innovators Must Be Storytellers
When I first got into the innovation/design space, I thought the work would be researching, analyzing, brainstorming, concepting, prototyping and hopefully piloting new ideas. And I was mostly right, except this is only half of my job. The other half is about selling but not so much as a salesman, but as a storyteller.
There are many types of stories I tell. Some stories are about real people from the research - the challenges and work-arounds they have created. Other stories are about a new future where a concept is part of daily life. The stories of the future as present is the focus of this post.
Innovation, especially radical, new value creating innovation means change. Change is difficult. Humans in general have a hard time imagining something different than what is. Behavioral economics tells us that people tend to value the present over the future. Change usually entails changing the present (which most find annoying or painful) for a potentially better future state. Until they can experience that future state, the present is just fine. In the end, it is difficult to convince most people to change.
Human Centered Design as a practice encourages the creation of prototypes as a means to help your audience see and experience that which has yet to be. Storytelling is what makes a prototype come to life. If you as an innovator wish to succeed, you have to be able to create and tell a convincing story. Just to be clear, a story is not SPIN – innovators don’t try to disguise the truth or whitewash the facts, true storytelling is about acknowledging the difficulties while clearly expressing how and why life will be different and better because of your concept.
I have spent a lot of time over the years constructing and telling stories about what could be. I have had some successes and plenty of failures. Early on, in an effort to get my success rate up I looked to learn from some of the best storytellers – Hollywood screenwriters. Initially the idea that Hollywood screenplays and the business stories I needed to tell were even remotely related seemed unlikely. But deeper down it turns out that whether you are Steven Spielberg or just some innovator trying to bring a new idea to life – all stories at heart, are the same.
If good stories are about how and why life changes, then every story has to start out with an ‘inciting incident’ – something that throws things out of balance. I would argue that good innovation stories do a good job of showing how the present is not quite as it seems. In a business context, the inciting incident could be future forecasts that are heading down instead of up, a customer incident that highlights a poor experience with the company, or a process breakdown that leaves departments blaming each other while nothing gets done. The stories that convince people to accept radical innovation show that the present state is not good enough and must be overcome.
Good stories show the conflict between what is expected and what is. As Robert McKee describes in his book on screenwriting, the story, in an effort to restore balance, must show how the “protagonist’s subjective expectations crash into an uncooperative objective reality”. Most innovators, at some point, are seen as dreamers - unrealistic and overly idealistic, unaware of the mean realities of the business world. From an innovation story aspect, this means you will need to reorient the audience away from this notion. We need to show the struggle that will be necessary to overcome the present reality in order to create the new reality where your concept is desirable, easily made and profitable. Basically stated: Innovation stories cannot be fairytales!
To be convincing, they must acknowledge the “darkside” of humanity. Sounds a little ominous I know, but let’s be honest, there will be plenty of barriers blocking your concepts eventual success and most of those barriers will be human. Typically with a radical innovation there will be winners and losers. Talking honestly about the struggles to make a concept come into reality, as well as who wins and loses helps overcome inherent skepticism and create a positive and realistic sense that this innovation may actually be possible.
My experience has shown that business executives have a well-honed sense of skepticism. Executives are always searching for the truth between the lines, beyond the spin and beneath the surface. Good executives know that subordinates like to tell positive stories. An innovator is more believable when they acknowledge the barriers and hurdles that they will face to make this concept become real, but they must also show how they can overcome these issues and lead to a “new state of balance” and a better balance sheet in the process.
I know a lot of times innovators will try to sell a new concept on emotion alone. It rarely works. We all know that emotion can often overcome logic. But if your story logic is faulty, there will be no emotion. We have all seen movies where the character does something that breaks the logic of the story and from that point on the movie fails to engage. In a business context, I see this all the time, the leaps of logic are too big or unexplained and the concept will fall flat. The stories we tell must have a consistent logic. (If you have done good research and analysis, you should have design principles that provide the basic logic – but that’s another blog post) If an executive believes in your logic and can follow your storyline, the odds are you will make an emotional connection.
A good business story will show progress through change. It will detail the difficulties to success, it will show how to overcome these difficulties and it will show a new reality where the concept is desirable, viable and profitable. There will be a strong logic that is hard to contradict and there will be an emotional tie-in to something bigger. It turns out that constructing stories that build momentum and convince executives to invest resources takes a lot of thought, time and hard work. If you plan to be a successful innovator, plan on spending at least half of your time thinking through your stories that will sell the concept.









